It also meant that I could do that and end up with larger digital image files. It meant that I could take panoramic images and capture wide nature scenes. This was an incredible concept which fascinated me. This meant that I could take multiple overlapping images of a nature scene and then use AutoStitch to blend them together into one uniform picture. It was “ the first fully automatic 2D image stitcher”. In 2007 I was introduced to a software product called AutoStitch. However, Kodak introduced its first panoramic camera in 1899 – the No. It was not much later when specialized cameras for panoramic photography were made for the daguerreotype photographic process. ![]() Therefore, the original panoramic photographs were made by positioning two or more daguerreotype plates side-by-side. Rather, the photographer used metal plates, which were polished and then treated with chemicals to capture and reveal an image. The process did not use photographic film or print paper. It was invented by Louis-Jacques-Mandé Daguerre. Also, it was the first photographic process available to the public and was used in the 1840s and 1850s. The daguerreotype photographic process was the first method used for making panoramic photography. In fact, the Library of Congress’ earliest vintage panoramic photographs were taken by George Barnard. William Tecumseh Sherman’s Military Division of the Mississippi during the American Civil War”. He “served as the official army photographer for Gen. One of those early panoramic photographers was George Barnard. It was not long after the invention of photography in 1839, when panoramic images and prints were first made. Here is an example:īelieve it or not panoramic photography can be traced back to the mid 1800s. The one that I chose, and to this day find most aesthetically pleasing, is the 3:1 aspect ratio. For this reason, I decided to pick one panoramic aspect ratio and stick with it. Furthermore, I did not find it appealing to have a fine art nature photography portfolio of inconsistent aspect ratios. However, I soon realized that it was not sustainable to offer all types of random-sized fine art photography prints to my customers. When I first started shooting panoramic landscape photography I did not restrict myself to a certain aspect ratio either. ![]() In addition, while most panoramic images are horizontal (long side is the width), some landscape photographers shoot vertical panoramas as well. This means that they choose random length and height, which are not confined to a particular aspect ratio. In addition, sometimes fine art photographers choose unrestricted ratios for their image, to accommodate a certain scene. In other words, the long side of the image is more than twice the length of the short side. ![]() Therefore, it is worth mentioning other panoramic formats, where the aspect ratio is larger. I would consider the 2:1 to be the shortest panoramic image. in this case the short side is two thirds the length of the long side. In comparison, one of (what I believe to be) the most common formats 2:3 would have print sizes such as: 4×6, 8×12, 10×15, etc. Some examples of print sizes in the 2:1 aspect ratio would be: 10×5, 20×10, 30×15, and so on. This would be considered a 2:1 (two by one) aspect ratio. How much longer? While I have not come across a strict definition, I would say it would have to be at least twice the length of the other side. ![]() A photographic print or an image is considered panoramic when one of its sides (length or height) is quite a bit longer than the other.
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